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In the ethereal dreamscapes between sleeping and waking lurks a being of profound beauty and unfathomably cruelty, an eldritch consciousness older than the angels and far more terrifying.
Lurking by the bedside of every sleeping child, she takes their teeth and leaves in their place a single copper coin etched with chthonian letters - the currency of no earthly country.
To young Forsyth Ward, however, the fairy has gifted far more than a coin. She has bequeathed to him the seed of an obsession which will carry him from the haunted hallways of his ancestral home, to the far corners of the globe, and beyond the limits of his own sanity.
If the fairy cannot take his teeth, she will come for his soul.
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In this collection of short stories, Joshua Bartolome explores the conflicted relationships between fathers and sons - and the horrifying things they do to, and for, each other.During an emergency, a desperate man and his pregnant wife wander into a town that doesn't exist. An actor for a children's show undergoes a monstrous transformation. While searching for victims, a tourist crosses paths with a more bloodthirsty predator. A colleague of Victor Frankenstein creates his own metallic golem, unleashing a soulless abomination. A hacker tries to stop a rogue AI from wreaking havoc. An American platoon wanders into a forest and never returns. And in the final story, a bio-mechanical spaceship gives birth to her god spawn child, ushering in the advent of an anti-human age.
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Envy stitches together sixteen shocking tales of malice that will have you asking yourself, how far would you go? A piano that feeds on the one who plays it, a forgotten house that holds the secrets of the past, the lips you always wanted, taken from another and bleeding inside your pocket. These are some of the stories in Ill-Gotten Things that shine a light on buried secrets and the fragility of morality. When jealousy has no limits, yearning grows to obsession, and desire outweighs virtue, monsters are born. Matt Bliss explores the breaking point of ideals, and the depths to which one will sink for their own gains in a daring collection of narratives.
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The eponymous tale, and its accompanying echoes, takes place at - and resounds with the immediate aftermath of - her wake ;I'd like to think maybe hold on to the thought even if it were only a possibility a glimmer that there be some sort of discerning discernment taking place the only ones who were nearly taken along for the proverbial ride were us not them not that these terms were mine was really more how she use to think of them at least that's what I recall her saying she'd never admit to it though I suppose one of the benefits of her just lying there being no right of response well one of the benefits were I being honest to me at least ; one has to take comfort try to take some comfort in being take comfort in trying to be part of the ones she tried to kill I suppose though if one were to be fair tried to kill might have been overstating it a touch take with her could be more appropriate ; after all she was lying in a coffin and attempted-murder seems to require a little too much movement for one who was lying down who was never the most nimble one would never have mistaken her for a ninja then again that's the kind of thing the best of ninjas would have you think so maybe we just didn't see her move maybe we never saw her nimble movements maybe when you're dead you can move without moving die without dying lie without lying ; ah, as Stevie Nicks sings, « tell me lies, tell me lies, tell me sweet little lies »Thankfully ghosts never quite go away, they sing me each time to my bowl ; maybe if I make it she will dream a little dream of me.
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VALTOHA is an epistolary non-fictional narrative about a boy's search for his grandfather and a man's search for his roots. It begins with an unusual practice of writing to the dead and then the actual search for his grandfather's village. Armed with only a post office address from a letter between brothers, the writer and his family set off for India to find out more about their past. They meet several characters and encounters as they retrace his steps from a farming village in Punjab to his eventual arrival in Singapore.
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Year of The Rabbit is a summation of observations, a recoil at once was desperately sought, and the release that happens within, the grace of acceptance; told in metaphors, fragments of wisdom, with a mouth full of the butter of acceptance. YOTR realizes the brevity of times and asks the reader if they are willing to bask in the incongruous gravity of grief and the indescribable beauty of acceptance.
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Binaries or dichotomies are very simplistic ways of looking at concepts or issues in life. Dichotomies only exist when we consider things at a very fundamental level. Yet, when we explore a grey area in between, we do not find a third static state. Instead, we are faced with unstable chaos.
"Each poem here might also be read as a progressive invocation-a rite of sacred absurdity and a blasphemous widdershins ritual that bathes the Celebrant in the very light that will drown them, bringing their bodies past a transcendent veil of shadow, freeing them in their final successive breaths. In this way, Chaos is a book of "ruptured reflections"; further still, these poems are a tome dedicated to a fragile eternity, the nameless gods of a 'Primordial Precedent'. " - Shea Bilé
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NÁUSEA | CONFESIÓN is a collection of poetry in English and Spanish that explores inebriation. Not limited to alcoholic drunkenness, the text examines love, jealousy, drugs, an orgasm and several other forms of returns to the primordial self and madness. Pedro Tsamaxan and Hamant Singh write about inebriation in the only way that is possible. They write while being inebriated.
NÁUSEA | CONFESIÓN es una colección de poesía en inglés y español que explora la embriaguez. Sin limitarse a la embriaguez alcohólica, el texto examina el amor, los celos, las drogas, el orgasmo y varias otras formas de retorno al yo primordial y a la locura. Pedro Tsamaxan y Hamant Singh escriben sobre la embriaguez de la única manera posible. Escriben en estado de ebriedad.
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La Sibila es una colección de poesía oscura, himnos y endechas originales escritos a lo largo de nueve años. Cada uno de los tres capítulos (Concepción, El Enconado y Caos) son etapas del ser y exploraciones de lo Sublime, tal como lo experimentan diferentes culturas alrededor del mundo. Los poemas del texto integran seres primordiales, diversos fenómenos y conceptos extraídos de diferentes tradiciones y los unifica a través del Caos.
NÁUSEA | CONFESIÓN es una colección de poesía en inglés y español que explora la embriaguez. Sin limitarse a la embriaguez alcohólica, el texto examina el amor, los celos, las drogas, el orgasmo y varias otras formas de retorno al yo primordial y a la locura. Pedro Tsamaxan y Hamant Singh escriben sobre la embriaguez de la única manera posible. Escriben en estado de ebriedad.
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